Sunday, September 2, 2018

Best of 2018 (So Far)

The Oscars race is on! We're officially less than 6 months away from Oscars Sunday. With the start of the Venice Film Festival this week and the Toronto International Film Festival next week, almost all of the major awards contenders will have made their world premiere by then. I can't wait to watch those films when they hit the theaters later in the fall, but before I do that, I'm going to recap the films that have already premiered in 2018.

Somehow I keep watching more and more movies every year. So far I've seen 46 movies that premiered in 2018, way more than my previous high of 33 movies seen in the 1st half of a given year. That being said, there are a couple of highly regarded films that I didn't get to see, including: Eighth Grade, Leave No Trace, Searching, Madeline's Madeline, Hearts Beat Loud, Three Identical Strangers, and others. I'll get to those later in the year for sure, but for now I can only write about all the great films that I have seen.

As I always do in this mid-year recap, I'm cutting my year-end lists in half, doing a Top 5 Movies list instead of a Top 10, and doing 8 Top 4 Lists, instead of 8 Top 8 Lists. Those include: Best Moments, Funniest Moments, Best Quotes, Best Performances, Best Death Scenes, Best Action Set-Pieces, Best Fights, and Best Parent & Son/Daughter Moments. Before I get to those, let's get started with the Top 5 Movies of 2018 (So Far).

*WARNING : SPOILERS*

Top 5 Movies of 2018 (So Far)

5) Sorry to Bother You
An inventive tale of an alternate present day Oakland, where main character Cassius Green, played brilliantly by future star Lakeith Stanfield, has to learn to use his "white voice" in order to get a promotion in his new telemarketing job. Sounds simple enough, but nothing could be further from the truth. This movie took many twists and turns that I could never see coming, while also dealing with many timely issues in society. You won't find many films out there as risk-taking as this one, so for that reason alone I highly recommend it.

4) American Animals
Speaking of taking risks, this film is based on the true story of four college students who attempted to steal some very valuable antique books from their university's Special Collections Library. The film works as half fiction/half documentary, as the four real life perpetrators of the crime appear in interviews throughout the movie. When they don't appear as themselves, they're played by a cast of up-and-coming young stars, led by great performances from Evan Peters and Barry Keoghan. If you love heist movies, then you're probably going to enjoy this one. Just remember that even though it may look cool in the movies, stealing is bad.

3) Hereditary
An instant horror classic from first time director Ari Aster. This one is in the mold of other psychological/spiritual horror classics such as Rosemary's Baby and Don't Look Now, where the tension builds and builds until the signs you've seen throughout the film finally make sense in the end. The other strength the film has is its two lead performances from Toni Collette and Alex Wolff as a mother and son in an extremely strained relationship that only gets worse as the film goes along. If you love horror, this one is a must watch!

2) The Death of Stalin
Armando Iannucci does it again! This is easily the funniest movie of 2018 so far. It deals with the immediate aftermath of the death of Stalin (duh), specifically how the senior members of the Council of Ministers plotted against each other to see who would end up in power. They are all played by British and American actors talking in their normal accents, making it tough sometimes to distinguish between the scenario in the movie and the real world chaos we're seeing in politics today. That combination of timeliness with non-stop laughs from beginning to end makes this one the most fun moviegoing experience I've had in 2018.

1) Won't You be My Neighbor?
Death of Stalin might've been more fun, but Mr. Rogers made me cry, making Won't You be My Neighbor the best movie I've seen in 2018 so far. There's nothing flashy in this one, but the message is crystal clear: love unites us all. Learning to love yourself and to love others is the most important thing any of us could ever do. It's a shame that so many people today still can't understand that. At least we have this documentary out there now to spread Mr. Rogers's message all over the world.

8 Top 4 Lists

I Best Moments (So Far)
4) Pizza Dinner in Set it Up
   - Zoey Deutch should be in all the movies.
3) White Voice in Sorry to Bother You
   - The first sign that this movie isn't going to play it safe
2) Bathtub Scene in A Quiet Place
1) "Think of someone that has helped you" in Won't You be My Neighbor?
   - Everyone in the theater was crying, including me.

II Funniest Moments (So Far)
4) "Meeting Peik Lin's family" in Crazy Rich Asians
   - The moment Rachel finds out just how crazy rich her boyfriend is.
3) "Interrupting the National Anthem" in Love, Simon
   - It's a miracle they pulled this scene off without having half the country boycott the movie.
2) "Coaching the hockey team" in The Death of Stalin
   - Stalin's clueless son tries to coach a team of replacement players by yelling "Play better!"
1) Jack Jack vs the raccoon in The Incredibles 2

III Best Fight Scenes (So Far)
4) "Funeral Food Fight" in A Futile and Stupid Gesture
3) Thanos vs Avengers/Guardians in Avengers: Infinity War
   - The only scene that totally worked in this one for me.
2) T'Challa vs Killmonger in Black Panther
   - Michael B. Jordan absolutely owns this movie
1) Bathroom Fight in Mission Impossible: Fallout
   - Awesome action here.

IV Best Action Set-Pieces (So Far)
4) First Key Race in Ready Player One
   - Classic Spielberg here.
3) Elastigirl saves the train in The Incredibles 2
2) Car Chase in Black Panther
   - Great Lexus commercial!
1) HALO Jump and Paris Chase and Helicopter Chase in Mission Impossible: Fallout
   - All hail Tom Cruise!

V Best Death Scenes (So Far)
4) Killmonger's Death in Black Panther
   - "They knew death was better than bondage." 
3) "Charlie's Death" in Hereditary
2) Bear Attack in Annihilation
   - Creepy AF
1) "The Death of Stalin" in The Death of Stalin

VI Best Parent & Son/Daughter Moments (So Far)
4) Dad's Sacrifice in A Quiet Place
3) "Father and Daughter talks" in Blockers
2) "Father and Daughter diner talk" in To All the Boys I've Loved Before
1) Heart to Heart with Dad and Mom in Love, Simon
   - "You get to exhale now, Simon." Beautiful scene.

VII Best Quotes (So Far)
4) "If it's any consolation, years from now people really like Caddyshack. They're kind of annoying about it, actually."
   - A Futile and Stupid Gesture
3) "Can God forgive us for what we've done to this world?"
   - First Reformed
   - BlacKkKlansman
   - Game Night

VIII Best Performances (So Far)
4) Alia Shawkat in Duck Butter
3) Evan Peters in American Animals
2) Charlize Theron in Tully
1) Toni Collette in Hereditary
   - Adds another classic horror performance to her resume, after receiving her only Academy Award nomination almost 20 years ago for The Sixth Sense.

Monday, March 5, 2018

¡Viva Guillermo! : 2018 Oscars Recap


Well, that "new normal" I wrote about yesterday didn't last long. After last year's out-of-nowhere upset in the Best Picture category, I honestly thought we were going to see a continuation of the Best Picture/Best Director split trend this year. For a while there I was feeling pretty good about my bold prediction of Get Out winning Best Picture, as I only missed on 2 of the first 20 non-short categories presented. One of those was actually the first award handed out, for Best Supporting Actor, where I thought that the lack of support for Three Billboards would result in an upset, but Sam Rockwell rode his frontrunner status all the way to an Oscar win. I've always loved him, and I loved his speech too, so I can't complain too much about this one.

I was right about the lack of support for Three Billboards though, as it got eliminated from the Best Picture conversation after losing for Best Editing to Dunkirk, which ended the night in 2nd place with 3 total wins, and for Best Original Screenplay to Jordan Peele and Get Out. With that win Peele becomes the first black person ever to win for Original Screenplay. He received a standing ovation on his way to the stage. Extremely well deserved. Great moment. And great speech too.

Unfortunately, that win for Peele turned out to be the only one for Get Out last night from its 4 nominations. The same thing happened with Call Me by Your Name, winning in the Best Adapted Screenplay category but nothing else from its 4 nominations. With that win, James Ivory now becomes the oldest winner in the 90 year history of the Academy Awards. He also received a standing ovation on his way to the stage. Extremely well deserved in his case as well.

One of the categories where both Get Out and Call Me by Your Name lost was Best Actor, which went to Gary Oldman and Darkest Hour(its 2nd win of the night) in what was an absolute lock going in. Oldman was way overdue for this honor. The Best Actress award was also a lock going in, giving Frances McDormand her 2nd career win in the category(and Three Billboards its 2nd win of the night), joining 13 other actresses who have accomplished that feat. McDormand is 100% genuine all the time, and she wasn't about to change now. When she asked all the female nominees in attendance to stand it truly felt like a powerful statement, unlike some other political moments during the show.

From a filmmaking perspective, nobody made a more powerful statement last night than Guillermo Del Toro, who won Best Director and Best Picture for The Shape of Water. It's the 4th time in the past 5 years that the Best Director Oscar goes to a Mexican filmmaker, after Alfonso Cuarón won in 2013 for Gravity and Alejandro G. Iñárritu won back to back in 2014 & 2015 for Birdman and The Revenant. Del Toro gave a great speech both times he came up to the stage. The guy's love of movies is undeniable. I'd even dare say that Del Toro loves movies more than any other person who was at the Dolby Theatre last night. 

One of my favorite moments of the night was when host Jimmy Kimmel asked for volunteers to go across the street and thank moviegoers for watching their films. The bit really didn't work at all(I even thought for a second that the audience at the movie theater was staged), but what I loved was that Del Toro was one of the first filmmakers to stand up. Kimmel seemed surprised and even joked that maybe Del Toro should stay since he was due to win some pretty important awards later in the show. But you could see that at that moment Del Toro didn't care about that. He genuinely wanted to thank the moviegoing public. The image of the two Guillermos leading the march of Hollywood A-Listers across the street was a great moment for me.

Mexico had a great night overall with Coco winning for Best Animated Feature and Best Original Song. With his win in that category, songwriter Robert Lopez becomes the 1st person ever to complete the EGOT twice. He actually has 3 Emmys, 2 Grammys, 3 Tonys, and now 2 Oscars, so he's already halfway to the Triple EGOT. The guy is only 43 years old. One thing he has to work on though: his speech-giving. "Kids, this isn't for you" ... Who says that?!? 
*Songwriting genius, and worst dad ever, Robert Lopez, alongside his wife and collaborator Kristen Anderson Lopez

For an example of a couple who did know how to make a great speech, I direct you to Chris Overton and Rachel Shenton, winners in the Best Live Action Short Film category for The Silent ChildThis speech was absolutely perfect. Rachel doing sign language as she spoke because she promised the 6 year old actress in the film she would. Then using her platform to raise awareness for deaf children all around the world. And then when it was Chris's turn to speak he thanked their parents for, and I quote, "making and selling cupcakes" to help them finish the film. And finally, as the orchestra started to play them out, he thanked his fiancée Rachel for her hard work during the past 12 years which made the project authentic. It was something out of a movie. It is for these type of moments that I love to watch the Oscars, and for that reason it was hands-down the Moment of the Night for me. I am definitely going to see The Silent Child now.
*Academy Award winners Chris Overton and Rachel Shenton

And now some other great moments ...

Roger Deakins finally winning his 1st Oscar after 14 nominations in the Best Cinematography category for Blade Runner 2049.

- Allison Janney winning on her 1st try in the Best Supporting Actress category for I, Tonya. I loved how she started her speech, joking that she did it all herself. Everyone who's watched The West Wing knew that standing in front of that microphone was never gonna be an issue for C. J. Cregg.

- Each and every montage that celebrated the 90 years of Oscars history. My biggest problem with the ceremony every year is that they no longer recognize the filmmaking legends in the industry. They give out the lifetime achievement awards on a different night and then show a 30 second clip summarizing the event. That is horrible. Even more so when that time is instead taken up by 10 minute bits like the one with the A Wrinkle in Time audience, plus 5 totally unnecessary Original Song performances every year just so they can get some A-List musicians on stage. I mean, you don't see the sound mixers getting up there on stage to showcase their work. Please Academy, find a way to honor the legends. I hope they decide to celebrate 91 years of Oscars next year.

- One good thing that came out of the Original Song showcase was seeing the Puerto Rican flag on stage during the performance of "Stand Up for Something" from Marshall. Thank you for that, Chef Jose Andrés. Puerto Rico was actually represented a couple of times last night, with presenters Rita Moreno(part of the celebrating legends theme), Gina Rodriguez, and Lin-Manuel Miranda all appearing on stage. There was also a quick glimpse of Benicio Del Toro's Oscar-winning performance in Traffic during the Best Supporting Actor montage. In your face, Mexico! Our Del Toro is better!

In all seriousness, last night was a great night for Latin America, period. As Oscar Isaac said when he announced the win for Coco in Best Animated Feature: "Viva Latinoamérica!" Well, if visionary filmmakers like Guillermo Del Toro, or Chilean Best Foreign Language Film winner Sebastián Lelio keep making fascinating pieces of cinema, then I believe that Oscar Isaac could eventually find it beneficial to use his full name(with spanish pronunciation): Óscar Isaac Hernández Estrada. And since this Mexican domination at the Academy Awards seems unlikely to end anytime soon, then it's possible that Oscar Isaac wouldn't be the only Oscar having to change the pronunciation of his name. So in conclusion ... 
¡Viva Latinoamérica! ¡Viva Puerto Rico! ¡Viva Mexico! ¡Viva Guillermo! y que vivan Los Oscares!



Sunday, March 4, 2018

2018 Oscars: A Viewer's Guide

Welcome to Movie Porti's 5th Annual Oscars Viewer's Guide!
And also welcome to what I am now referring to as ... "The Post-Argo Oscars Era"!

For some reason, when Ben Affleck was snubbed for a Best Director nomination in 2012 something shifted in the Academy's thinking. Suddenly they realized they could name Argo the Best Picture, and also recognize the work of another film's worthy director(in that case it was Ang Lee for Life of Pi), and there would be nothing wrong with that. Before 2012, the six previous Best Picture winners had also won for Best Director: The Departed+Martin Scorsese, No Country for Old Men+The Coen Brothers, Slumdog Millionaire+Danny Boyle, The Hurt Locker+Kathryn Bigelow, The King's Speech+Tom Hooper, and The Artist+Michel Hazanavicius. But in the five years post-Affleck snub, only one Best Picture winner has also won for Best Director: Birdman+Alejandro G. Iñárritu in 2014. This year we could be looking at a repeat of this "new normal" situation.

Guillermo Del Toro is an absolute lock to win Best Director tonight for The Shape of Water, but his film is by no means a lock to win Best Picture, even though it leads the pack with 13 total nominations. Last year Damien Chazelle was also a lock to win Best Director, and La La Land appeared to be a lock (oops) for the top prize with 14 total nominations, but it ended up losing to the film that was in 2nd place throughout the awards season, Moonlight. This year the film that's in 2nd place is Three Billboards Outside Ebbing, Missouri, with 7 total nominations. If it wins Best Picture, then that would make it 5 out of the 6 post-Argo years where Best Picture and Best Director don't match. And Three Billboards would have an extra Argo connection if it wins because like that era-defining film, it didn't receive a Best Director nomination either.

But there is another film in contention for Best Picture this year that could actually match two of the winners from this new era, and that's Get Out. Get Out received the all important Best Director nomination that Three Billboards didn't get, but that was one of only 4 total nominations it got, the others being for Best Actor and Best Original Screenplay. I already established that Del Toro is winning Best Director, and Get Out also has no shot for Best Actor since Gary Oldman is a lock there for Darkest Hour, so that only leaves a realistic chance of winning 2 Oscars for Get Out: Best Original Screenplay and Best Picture, which would be a repeat of Spotlight's Best Picture win just two years ago. 

Spotlight was also in a 3-way race that year, against The Revenant and The Big Short, but it was in a stronger position than Get Out, having received 6 total nominations, including one of the most important categories where Get Out missed out: Best Editing. But that snub leads us back to Birdman, which 3 years ago helped define this impossible-to-predict era by becoming the 1st film to win Best Picture without a Best Editing nomination in over 30 years. Those are two comparisons that definitely work in Get Out's favor.
*Birdman and Spotlight's lucky charm: Michael Keaton, celebrating with each film's director: Alejandro G. Iñárritu and Tom McCarthy

Speaking of Best Picture winners from over 30 years ago, the film with the lowest total of nominations to end up winning the top prize in the past 65 years was Annie Hall, which received 5 total nominations exactly 40 years ago, and they happened to be in the same categories as Get Out: Picture, Director, Screenplay, and Acting. Annie Hall did end up with 4 wins, something that, again, Get Out won't be able to match, but the 5 Best Picture winners from this era have only averaged 3 total wins per year, so a Get Out win wouldn't throw that average off by much. And I'll still take the comparison with what is widely regarded as one of the greatest Best Picture winners ever (regardless of your feelings towards Woody Allen today), plus the comparison to the two recent winners, Birdman and Spotlight, ahead of the films that best compare to Three Billboard's scenario: Argo, and the previous Best Picture winner without a Best Director nomination, Driving Miss Daisy in 1989.

So in my official predictions that eliminates Three Billboards from the top prize, even though it's a lock to win Best Actress (Frances McDormand's 2nd career win in the category), it's a very heavy favorite for Best Supporting Actor, and it's very much in contention for Best Original Screenplay. But since I believe the voting will not go in Three Billboard's favor, I'm gonna go out on a limb and say that the Best Actress win will be its only win of the night. 

I'm actually predicting a surprise win for Willem Dafoe from The Florida Project for Best Supporting Actor (that film's only nomination. Boo!), even though Sam Rockwell comes in with precursor wins from the Golden Globes, BAFTAs, Critics Choice, and the Screen Actors Guild, and there's only been one other instance where an actor had accumulated all those wins and then lost at the Oscars: Russell Crowe in 2001 for A Beautiful Mind. But you know what they say, if it happened once it can happen again. My gut is telling me that the controversy surrounding Rockwell's character(in the film, not in real life), plus the fact that Dafoe is a respected industry veteran with 2 previous nominations to his name, will be sufficient factors to cause an upset in a category that has seen its fair share of those in the past.

Then there's the Best Original Screenplay category, where I believe the Academy will go in the same route as the Writer's Guild and give the win to Jordan Peele and his brilliant script for Get Out. This is actually the most important category of the entire ceremony, because if I'm wrong and Get Out loses, then it would mean that either Three Billboards or The Shape of Water could strengthen its Best Picture chances with a screenplay win. Things could get even more confusing if the Academy decides to recognize the extremely popular Greta Gerwig and her Lady Bird script here(one of 5 total nominations for the film), seeing as this could be the only spot where they could give it a win. It has another chance at a win with Laurie Metcalf in the Best Supporting Actress category, but I'm predicting a win for the frontrunner there, Allison Janney from I, Tonya.

Any one of those four films could win in that free-for-all of a category, and if any of the non-Get Out scenarios plays out, then a Get Out Best Picture win would become even more historic. The last film to win Best Picture, and only Best Picture, was Mutiny on the Bounty way back in 1935. But this decade has been full of historic wins. Before The Artist's Best Picture win in 2011, the only other silent film to win Best Picture was actually the first ever Best Picture, Wings, back in 1929. That 82-year difference between those two completely different and random Oscars Trivia facts is way too coincidental for it not to mean something. I believe that there are some cosmic forces aligning here all pointing to the same thing: Get Out *will win* Best Picture.

There, I said it. It's official. I'm going with the bold prediction this year, but for some reason it doesn't feel that crazy. Maybe it's because in the years where I've correctly predicted the eventual winner(12 Years a Slave in 2013 and Spotlight in 2015), I've chosen more with my heart than with my head, and I've allowed myself to go with that gut feeling that tells me that the Academy voters are leaning in one direction, even though the precursor awards and all the pundits might say otherwise. There's also the fact that Get Out was beloved by everyone, and it stayed relevant throughout the entire year even though it premiered more than 12 months ago. I believe that staying power will be rewarded tonight.

Three Billboards is just too divisive. Those who don't like it really don't like it, causing it to fall in the preferential ballot system. And The Shape of Water is not that strong of a frontrunner. In fact, if it wins it will become the first film since Braveheart back in 1995 to win Best Picture without having been nominated for Best Ensemble Cast by the Screen Actors Guild. You also have to consider the fact that it's a Sci-Fi/Fantasy film, and in the entire 89 year history of the Oscars, full of classic Sci-Fi/Fantasy films like The Wizard of Oz, 2001: A Space Odyssey, Star Wars, E.T, Jurassic Park, etc, only one film from that genre has managed to win Best Picture, and that was The Lord of the Rings: The Return of the King in 2003.

So thats's my reasoning, and I'm sticking to it. As the frontrunner, it certainly wouldn't be a surprise if The Shape of Water wins Best Picture. And if that happens, I certainly wouldn't be surprised if tomorrow morning the fine folks over at Fox & Friends were saying: "See, we told you that a gay film winning Best Picture would cause a slippery slope! Now we have a woman/fish-man love affair winning!". All jokes aside, I think that particular description of the film could've definitely affected it with certain voters. Or maybe some of the more conservative voters out there just preferred the racist cop being redeemed, sort of, in Three Billboards. Just a thought.

Personally, I think Three Billboards is the most overrated film of the bunch. It was good but not great in my opinion. If it wins Best Picture that would be the worst possible outcome of the night for me. But the fact that it has a very strong chance at a win, along with two other contenders in The Shape of Water and Get Out, and a possible out-of-nowhere wild card in Lady Bird, if it manages to surprise in Best Original Screenplay or Best Supporting Actress, makes this 90th Oscars ceremony a very interesting one to watch.

And now, some more Get Out fun facts ...

- If Get Out wins Best Picture it would be the 3rd film with a black director to win in the past five years(12 Years a Slave in 2013 and Moonlight in 2016) after it had never happened in the first 85 years of the Academy Awards.
*That's Dede Gardner there in the middle, with Brad Pitt and Steve McQueen to her left. She is the only woman ever to win Best Picture twice, for, you guessed it ... 12 Years a Slave and Moonlight

- If Get Out wins Best Picture it would be only the 2nd Horror film ever to win, after The Silence of the Lambs in 1991. In fact, it's only the 5th Horror film ever nominated for Best Picture, with The Exorcist, Jaws, and The Sixth Sense rounding out that group.

- Another similarity that Get Out shares with The Silence of the Lambs is that both films premiered in February. That would easily be the earliest premiere date for a Best Picture winner since then. The last film to premiere before Labor Day and then go on to win was The Hurt Locker in 2009, which premiered on July 31st. The only other films from the 21st century to accomplish that were Gladiator in 2000 and Crash (ugh) in 2005, which premiered on May 5th and 6th of their respective years.

- If Get Out wins Best Picture, it would become the highest grossing winner ($255 million) at the U.S. Box Office since The Lord of the Rings: The Return of the King in 2003.

There's another Best Picture nominee tonight that joins Get Out in those final two categories: premiering before Labor Day and being a big draw at the Box Office, and that's Christopher Nolan's Dunkirk. It doesn't have much of a chance to win Best Picture, but it fared pretty well when nominations were announced, receiving 8 total mentions, including the 1st career Best Director nomination for Nolan. I really thought the Best Director race would be much closer between Nolan and Del Toro, but Del Toro is a shoo-in for the win at this point, making it the 4th time in the past 5 years(Alfonso Cuarón in 2013 for Gravity and Alejandro G. Iñárritu in 2014 and 2015 for Birdman and The Revenant) that a Mexican-born filmmaker will win in the category, after no hispanic had won in the 1st 85 years of the Academy Awards.

Nolan will have to settle for the satisfaction of being nominated twice tonight, since he's also nominated as one of the producers of Dunkirk. In fact, all five of the Best Director nominees are multiple-nominees tonight. The age of the auteur has finally made it to the Academy Awards! Paul Thomas Anderson joins Christopher Nolan with nominations for Best Director and Best Picture(2 of the 6 total nominations for Phantom Thread), but neither one has a chance of winning. 

Then there's 1st-time director Greta Gerwig, who becomes only the 5th woman ever nominated in the category, after Lina Wertmüller, Jane Campion, Sofia Coppola, and Kathryn Bigelow. Gerwig has no chance of winning there, as Bigelow did for The Hurt Locker in 2009, but she does have an outside chance of winning for Best Original Screenplay. If that happens she would be the first woman to win in the category since Diablo Cody in 2007 for Juno. Gerwig already is the first solo female nominee in the category since 2008. Vanessa Taylor, who is Guillermo Del Toro's co-screenwriter on The Shape of Water, also has a fairly decent chance to add to the total of 16 wins by women in the writing categories in Oscars history.
*Juno screenwriter Diablo Cody

3 more firsts for women tonight, all from Mudbound ...

- Rachel Morrison becomes the first woman ever nominated for Best Cinematography.

- Dee Rees becomes the first black woman ever nominated for Best Adapted Screenplay, and just the second black woman ever nominated in one of the Screenplay categories.

- Mary J. Blige becomes the first person ever, man or woman, to be nominated for Acting and Original Song for the same film.

Back to the two remaining Best Director nominees, Jordan Peele and Guillermo Del Toro, who are both 3-time nominees tonight. Peele becomes the first black person ever nominated for Best Picture, Director, and Original Screenplay for the same film. He also becomes just the 3rd person ever nominated for Best Picture, Director, and Screenplay for his debut film as a director(Warren Beatty for Heaven Can Wait and James L. Brooks for Terms of Endearment are the other two), and of those three, he is the only one to achieve the feat with an Original Screenplay. Impressed yet? 
I must now pause to include an obligatory Orson Welles/Citizen Kane mention. Back in 1941 the nomination for Best Picture went to the studios and not the individuals who actually produced the films. Welles produced, wrote, directed, and starred in Citizen Kane when he was only 25 years old. It is widely regarded as the Best Film of All-Time. Watch it. 
*Un-pause*

Peele also becomes just the 5th black person ever nominated for Best Director, after John Singleton, Lee Daniels, Steve McQueen, and Barry Jenkins. But that group will remain winless for now, as the category currently belongs to the Mexicans. Del Toro will be looking to repeat his best buddy Alejandro G. Iñárritu's 2014 sweep, when he won Best Picture, Director, and Original Screenplay for Birdman. But there'll be another multiple-nominee who'll be trying to spoil Del Toro's possible sweep tonight, and that is Martin McDonagh, who also received a Best Picture nomination as one of the producers of Three Billboards to go along with his Best Original Screenplay nomination, his 2nd career nomination in the category, same as Del Toro.

There are two other categories where The Shape of Water and Three Billboards go head to head, which could factor heavily on who gets the final award of the night: Best Editing and Best Original Score. I'm predicting a win for Alexandre Desplat and The Shape of Water for Best Original Score, but for Best Editing I'm predicting a win for Dunkirk. It wouldn't surprise me if one of the two frontrunners won there, but even if that happens I still believe they would lose to Get Out for Best Picture. 

There are two more below-the-line categories where I believe The Shape of Water will lose: in Best Cinematography to Blade Runner 2049, finally giving Roger Deakins his first win in the category after 14 nominations, and in Best Costume Design to Phantom Thread, the movie about the world's greatest costume designer, so I won't overthink that one. For Best Production Design, however, I am predicting a win for The Shape of Water, leaving it with 3 total wins for the night, which would tie it with Dunkirk for most total wins in my book, as I also think that both Best Sound Editing and Best Sound Mixing will go in Dunkirk's favor. 

An early indicator of a possible Best Picture win for The Shape of Water would be if I'm wrong on these tech categories and it actually racks up 4 or 5 wins early in the ceremony. But with strong tech contenders this year such as Dunkirk, Blade Runner 2049, and even Baby Driver in both sound categories, I just don't see that happening. Speaking of which, there are two other below-the-line categories where The Shape of Water didn't even make the final cut: Best Hair & Makeup and Best Visual Effects. Darkest Hour appears to be a lock for Best Hair & Makeup, so I'll predict a 2nd win for the film there out of 6 total nominations. For Best Visual Effects I'm sensing there's more support for Blade Runner 2049, but I'm picking this category based on who I think should win, and that's War for the Planet of the Apes. I didn't enjoy Blade Runner 2049 at all, so I can't pick it in a non-"Roger Deakins finally should win an Oscar" category.

On that note ...

Diane Warren received her 9th career nomination for Best Original Song, for the song "Stand Up for Something" from Marshall, but for the 9th time, she'll lose. I'm predicting a win for the beautiful "Remember Me" from Coco, giving husband and wife duo Robert Lopez and Kristen Anderson Lopez their 2nd win in 5 years, after they won with "Let it Go" from Frozen in 2013. I'm also predicting a win for Coco in the Best Animated Feature category, giving Pixar its 9th win in the 17 years of the category's existence(Finding Nemo in 2003, The Incredibles in 2004, Ratatouille in 2007, WALL-E in 2008, Up in 2009, Toy Story 3 in 2010, Brave in 2012, and Inside Out in 2015). I 💜 Pixar!
*The directors of Pixar's Brave, Mark Andrews & Brenda Chapman. Chapman became the first woman to win in the Best Animated Feature category

Speaking of Oscars powerhouses ...

Steven Spielberg received his 10th career Best Picture nomination for The Post, maintaining his lead for most nominations ever in the category by one, since another powerhouse producer, Scott Rudin, received his 9th career Best Picture nomination for Lady Bird. Spielberg also holds the record for the most number of films by one director to be nominated for Best Picture, with 11. The ones from that group that he also didn't produce? Jaws and Raiders of the Lost Ark. Speaking of those films, one of Spielberg's longtime collaborators, John Williams, received his 51st career Oscar nomination for his Original Score for Star Wars: The Last Jedi. His 1st career nomination came exactly 50 years ago, and the last of his 5 career wins came 24 years ago and 21 nominations ago for Schindler's List. Someone get this man a 6th Oscar! You would think that the 51 career nominations would be the most by any individual in Oscars history, but that record actually belongs to Walt Disney, who accumulated 59 total nominations, and 22 wins, throughout his career.

Sticking with the old-timers ...

89 year-old James Ivory is pretty much a lock to win tonight in the Best Adapted Screenplay category for Call Me by Your Name(one of 4 total nominations for the film), which would make him the oldest winner in Oscars history. He is a first time nominee in the category, but had previously received 3 nominations for Best Director in an 8 year span from 1986 to 1993. His "oldest winner ever" record could be extremely short-lived, however, if Agnes Varda, who is also 89 years old but older than Ivory by 8 days, wins in the Best Documentary Feature category for Faces Places. But I'm predicting a win for the Russian doping doc, Icarus, in that category, so I believe that Ivory's record will stand, until next year at least.

Sticking with the foreigners for a second, Russia is actually one of the countries nominated tonight for Best Foreign Language Film, so they could find some redemption from the stain of that doping scandal. But I'm predicting a win for the Chilean film, A Fantastic Woman, in the category.

Back to one more record setting old-timer, with Christopher Plummer, who at 88 years old becomes the oldest acting nominee ever for his work replacing Kevin Spacey in All the Money in the World. He's already the oldest acting winner ever, after having won in the Best Supporting Actor category 6 years ago for Beginners when he was 82 years old. His 3 career nominations, all in the Supporting Actor category, have come in the past 8 years, after his 80th birthday. Age is just a number, folks.

And finally, here are some other "Multiple Academy Award-Nominated Actors" ...

- Richard Jenkins receives his 2nd career nomination, and first in the Supporting Actor category for his work in The Shape of Water, 9 years after being nominated as a Lead Actor for his work in The Visitor
- Sally Hawkins receives her 2nd career nomination, and first in the Lead Actress category for her work in The Shape of Water, 4 years after being nominated as a Supporting Actress for her work in Blue Jasmine
- Gary Oldman receives his 2nd career nomination for Best Lead Actor for his work in Darkest Hour, 6 years after being nominated for his work in Tinker Taylor Soldier Spy
- Willem Dafoe receives his 3rd career nomination for Best Supporting Actor for his work in The Florida Project. His 1st career nomination happened 31 years ago for his work in Best Picture winner Platoon
- Woody Harrelson receives his 3rd career nomination, and 2nd in the Supporting Actor category for his work in Three Billboards Outside Ebbing, Missouri. His 1st career nomination happened 21 years ago in the Lead Actor category for his work in The People vs Larry Flint
- Octavia Spencer receives her 3rd career nomination for Best Supporting Actress for her work in The Shape of Water. She won in the category 6 years ago for her work in The Help
- Saoirse Ronan receives her 3rd career nomination, and 2nd in the Lead Actress category for her work in Lady Bird. She has now tied Jennifer Lawrence's pace of 3 nominations by age 23. Her 1st nomination happened 10 years ago in the Supporting Actress category for her work in Atonement
- Frances McDormand receives her 5th career nomination, and 2nd in the Lead Actress category for her work in Three Billboards Outside Ebbing, Missouri. She won in the category 21 years ago for her work in Fargo. With her win tonight she will become the 14th actress with multiple Lead Actress Oscars
- Daniel Day Lewis receives his 6th career nomination for Best Lead Actor for his work in Phantom Thread. He is the only actor to win 3 times in the category, the first of those happening 28 years ago for his work in My Left Foot. Please don't go, Daniel.
- Denzel Washington receives his 8th career acting nomination(9th overall), and 6th in the Lead Actor category for his work in Roman J. Israel, Esq. He won in the category 16 years ago(his 2nd career win) for his work in Training Day. His 8 nominations now tie him with Peter O'Toole, Jack Lemmon, and Marlon Brando for 4th most All-Time for male actors
- Meryl Streep receives her 21st career nomination, and 17th in the Best Lead Actress category for her work in The Post. Last year I bet that she would get to 30 career nominations by her 87th birthday. I might have been too cautious with that prediction. She has 3 career wins.

A final note on the host ...
Jimmy Kimmel is the first person to host the Oscars in back to back years since Billy Crystal in 1997 & 1998. As long as the correct film is announced for Best Picture this time around, I will consider his performance a success. Here's hoping that film is Get Out.


And the Oscar goes to ...








Saturday, March 3, 2018

10 Best Movies of 2017 (A Double Take)


Oscars weekend is finally here! Tomorrow night the Academy of Motion Picture Arts & Sciences will crown its 90th Best Picture of the year out of a group of nine nominees, but before they do that, for the 5th consecutive year(2013201420152016) my brother Andrés and I present our lists of the 10 Best Movies of the Year. Once again we're including a group of honorable mentions, unranked in my brother's case, and ranked from 11-20 in my case.

From our Top 10 lists this year, we agreed on five films, and in a repeat of last year, only one of those is a Best Picture nominee, Get Out. Again like last year, my brother has one additional Best Picture nominee in his Top 10, Lady Bird, and I have two more, Call Me by Your Name and Dunkirk. Continuing the 2016 repeat theme, this year I also have seven movies on my Top 10 list that received at least one Oscar nomination, and my brother once again has five such films. 

From the group of snubs, there is one film that we both included in our Top 10s, and that was Brigsby Bear. My brother has another film that got totally snubbed by the Academy in his Top 5, I Don't Feel at Home in This World Anymore, and I have two such cases in my Top 5, with A Ghost Story and Columbus. But in another repeat from last year, those same films that the Academy snubbed but one of us championed were also left off from the other's list here. At least I Don't Feel at Home in This World Anymore made my list of honorable mentions. Where's the love for A Ghost Story and/or Columbus, my brother?

That's why doing these lists is so much fun for me. Even among brothers who might share some similar tastes you'll find some major disagreements as to what the best films of the year were. For example, this is the 3rd year in a row where the #1 movie on my list doesn't even make it into his Top 10(all his #1s have made my Top 10s for now). But it's also great when we agree on a certain film that deserves more attention than the Academy or the general public gave it throughout the year. Examples of that include Short Term 12 in 2013, Dawn of the Planet of the Apes in 2014, and Sing Street just last year. This year the one film that made both our Top 5s is The Florida Project, which only received one Academy Award nomination, but we both agree deserved a lot more. It just came out on Blu-Ray, so check it out.

On that note, why don't you check out our lists for the 10 Best Movies of 2017, starting with my brother's group and then mine so you can see with which one of us you agree/disagree the most. Enjoy!

Andres's picks ...

Honorable Mentions
- Call Me by Your Name
The scene near the end when Michael Stuhlbarg lectures his son on love and life was a personal favorite of mine this year.
- Molly's Game
Aaron Sorkin just knows how to entertain us by simply talking, a remarkable skill in and of itself.
- The Shape of Water
Solid overall movie that checks off the most boxes this year, which is why it has so many Oscar nominations, but will it win in the big categories? I personally think there are better picks in each of those categories.
- The Glass Castle
Better Woody Harrelson performance this year, yet he got nominated for Three Billboards.
- Battle of the Sexes
Better Emma Stone performance than last year’s Oscar winning La La Land.
- Brad's Status
Ben stiller gives perhaps his best performance in underrated writer/director Mike White’s movie.

10) Ingrid Goes West
One of the better dark comedies in a while that cuts through today’s obsession with social media like a freshly sharpened knife.

9) Logan Lucky
Ocean’s Eleven meets Nascar. One of the funnest movies of the year and the better heist movie compared to (ended up being overrated) Baby Driver.

8) Brigsby Bear
Brigsby Bear is a movie that taps into everybody’s creativity and makes you want to go out and do something (whatever you’re passion may be). But more importantly, I think it stresses being yourself and not seeing anything wrong with it.

7) The Big Sick
Great supporting performances by Ray Romano and Holly Hunter (Hunter a particularly bullshitty Oscar snub) took this already funny, smart, and witty romantic comedy with great heart to a whole new level.

6) Dina
This movie (I call it that, cause it doesn’t matter whether you think it’s a documentary or a feature) had me laughing, crying, smiling and giving me all the feels from start to end. It won the Grand Jury prize at Sundance for Best Documentary for a reason. Dina is the best romantic comedy of the year.

5) I Don't Feel at Home in This World Anymore.
There’s a trend for Sundance winners as this film won the Grand Jury prize for feature films. We have all been Ruth (Melanie Lynskey) at some point in our lives, the Charlie Brown-esque character that’s been picked on so much she eventually snaps and fights back and gives the finger to all the a-holes in the world. Madness ensues and the final 20-30 min are the most entertaining of almost any movie this year. Macon Blair is an up and coming storyteller to watch!

4) The Florida Project
The best coming of age movies don’t necessarily need to about anything or need something big to happen, just show people BEING. The Florida Project gets this, and its beauty is simply in showing us the lives of the residents of this motel.

3) I, Tonya
Propelled by a superb leading performance (seriously Margot Robbie gives the best performance of any actor this year) and great supporting work by Allison Janney and Sebastian Stan, I Tonya delivers on all levels. Like something out of the Scorsese Goodfellas/Wolf of Wall Street playbook, with the narration of our leading man/woman executed perfectly to navigate us through the sad yet captivating life story of Tonya Harding.

2) Lady Bird
If Margot Robbie gives the best performance of any actor this year then maybe Saoirse Ronan comes in 2nd (Holly Hunter 3rd). I’m trying to remember the last time I saw a mother/daughter relationship better executed on film, and I couldn’t think of one. Lady Bird is not just another teen movie, it shows amazing depth in all the right places of the everyday lives of teenagers.

1) Get Out
Lady Bird and Get Out were really 1A and 1B in my book, but i’m putting Get Out at my top spot for the fact that it feels like a movie more pertinent with the times and the fact that it was released in February and we’re still talking about it today. That’s awesome! More of this Academy. Stop rewarding a movie just cause it got released closer to Oscar season! Get Out as a movie I believe hits all the right uncomfortable buttons that trigger discussions across social media everyday in our current Trump-ish climate, but it’s also brilliantly done by Jordan Peele, and all the little easter eggs he hides that can be found on repeat viewings speak to his mastery of the subject matter.

And now, my picks ...

Honorable Mentions
20) I Don't Feel at Home in This World Anymore.
19) Raw - giving a whole new meaning to the term "finger food"
18) Marjorie Prime
17) Coco - Pixar does it again!
16) Princess Cyd - hidden gem that's not-so-hidden anymore since it's now on Netflix
15) Mudbound - Dee Rees is definitely one to watch!
14) The Meyerowitz Stories (New and Selected)
13) The Shape of Water
12) Professor Marston and the Wonder Women - much better Wonder Woman film than that other one that everybody saw
11) Lady Bird

10) Dunkirk
Another IMAX stunner from Christopher Nolan! This movie puts you right in the middle of the action with top-notch filmmaking on every level. The score, the sound, the editing, the production design, the visual effects, the cinematography. I mean, everything. Nolan's unique vision is on full display here, and for that he was finally rewarded with his first career Best Director nomination. Can't wait to see what he comes up with next.

9) Brigsby Bear
The most inspiring movie of 2017. A simple story about a guy following his dreams. In this case that dream is to make a movie about the main character from a fake TV show that was produced solely for him by the couple who abducted him when he was just a child. Once James (Kyle Mooney) is freed from captivity, he has trouble adapting to the real world without his favorite show, "Brigsby Bear Adventures". So he decides he's gonna take matters into his own hands and make a "Brigsby Bear" movie himself. Because anyone can do it. It's that simple, folks. This movie couldn't have come at a more perfect time for me.

8) Get Out
A brilliant blend of horror, comedy, and social commentary from first-time director Jordan Peele. It became a pop culture phenomenon almost instantly, and remained that way for the entire year. It now has a chance to pull off a shocking win for Best Picture at the Academy Awards tomorrow night, becoming only the 2nd horror film ever to do so if it happens. Who would've thought that was possible all the way back in February 2017? Even if that doesn't happen, this film's place in history is secure. It is the #1 ranked film from the consensus of year-end critics Top 10 lists.

7) The Big Sick
A delightful romantic comedy based on the true story of how its writers, Emily V. Gordon and Kumail Nanjiani, met and fell in love. There's lots of laughs, unique family dynamics, and medically-induced comas. You know, something for everyone. The cast does a great job, particularly Ray Romano and Holly Hunter as Emily's parents, who first appear at the half-way point of the film and after that are the best thing about every scene they're in.

6) I, Tonya
There are certain films that I know I'm gonna love just from watching the first trailer. I, Tonya was one of those films. The thing is, it surpassed the lofty expectations that I had going in. The script, the editing, the costumes, hair & makeup, the performances, all phenomenal! This one had me laughing as hard as I ever did in any 2017 film, but by the end it had me in tears. Margot Robbie is the real deal folks. Hers was the best female performance I saw in 2017. Well deserved Oscar nomination. Too bad the film got overlooked for Best Picture.

5) The Florida Project
Speaking of the real deal ... Sean Baker. He's the visionary director behind this wonderful film. A bare-bones, no frills look at the "hidden homeless", the folks who are struggling to keep a roof over their heads and food in their kids' mouths on a weekly basis. We see this world through the eyes of 6-year old "Moonee"(Brooklynn Prince in an instant classic child performance), who spends the summer break causing trouble for residents of the Magic Castle motel, and its manager "Bobby"(perfectly played by Willem Dafoe), who always has everyone's best interests at heart.

4) Logan
On the 1-year anniversary of its premiere, here I am writing about this brilliant film. This one immediately goes to the top tier of the Superhero genre. What a perfect send-off for Hugh Jackman, and Patrick Stewart as well, as they wrap up their 17 year run in the X-Men franchise. But this film goes way beyond anything that the franchise had previously accomplished. This film's screenplay is terrific, dealing with heavy subjects such as time, our mortality, our violent natures, father & son/daughter relationships, and timely subjects such as immigration as well. It definitely deserved the nomination it received for Best Adapted Screenplay, the first ever for a Superhero comic book adaptation. Too bad that that was the only nomination it got, as this film's production value was on par with all the best films of the year.

3) Columbus
And the award for Best Debut film, in the "Year of the Debut Director", goes to Kogonada for his masterful work on Columbus. On the surface this is a very simple film, but every frame, every shot, every second of this film is the most beautiful it could've possibly been. This one has staying power. As more and more people discover it it will only grow in esteem. The main characters(played beautifully by John Cho and Haley Lu Richardson) are regular people, flawed individuals even who happen to make a connection with one another, something that everybody can relate to. Except the members of the Academy I guess. It's a shame that they always arrive at nominating visionary directors about 10-15 years after they already did their best work(Christopher Nolan and Guillermo Del Toro this year, for example). I'll be excited to see how Kogonada manages to top this excellent debut, and I'm willing to bet right here and now that in less than 10-15 years he'll be a Best Director Nominee.

2) Call Me by Your Name
Speaking of directors with a singular vision, no one does Italian-set, erotically-charged romances better than Luca Guadagnino. This film transported me into its setting more than any other in 2017. The cinematography, the design of that villa, the 80's wardrobe, the score, the sound. Every aspect of that production felt fully alive. Then on top of that you add some great performances, especially from Timothée Chalamet as "Elio", who falls in love with his father's assistant, "Oliver"(Armie Hammer), and you get one of the best films of the year. That ending by the fireplace, after "Elio" and "Oliver" say goodbye over the phone, is the closest thing I've seen to the Heath Ledger "Jack, I swear" ending in Brokeback Mountain. But just like that film, Call Me by Your Name is gonna fall just short of winning Best Picture tomorrow night.

1) A Ghost Story
For a while there I wasn't sure about this pick. I certainly didn't expect that this film was gonna become my favorite film of the year when I sat down to watch it the first time. But then by the end credits I couldn't move out of my seat. I was completely entranced. This movie either grabs you, or it doesn't. I get that it might not be for everyone, but it definitely was for me. I watched it a second time to confirm my initial reaction, and it got even better. I noticed a few details I had missed on the first viewing. The third time was even better than that. Director David Lowery has created a simple, yet powerful meditation on mortality, time, and the connection to those we love and the things in life we just can't leave behind. It's The Tree of Life meets The Sixth Sense. It's a perfect film. The Academy totally ignored it, but the critics sure didn't. It finished at the #10 spot from the consensus of year-end critics Top 10 Lists. Listen to the critics on this one. Listen to me. Give this movie a chance